first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

played by josh wink, loco dice, oxia, ramon tapia, hakan libdo, patrick lindsey, jeff samuel, someone else, gel abril, mike wall and many more.
this record is made for just one purpose: to form a perfect couple with balmy summer nights! and that is no surprise when you look for the masterminds behind the sound. on the production side are brauns & wagner, bringing in their musical skills, already loved for solo and duo releases on labels like parquet, liebe*detail, tanzbar, circle and more. on the label side it is night drive music, well established with a back catalogue that reveals their focus on quality in both aspects of our culture - dance and music.

two steamy hot floor killers by delsins quince, already praised & played by ellen alien, laurent garnier, dj gregory, kenny larkin, osunlade, dj deep, joris voorn, a.o. back with a vengeance. utrecht based producer quince is ready to burn the floors and delivers these two killers. he teamed up with paris the black fu (from detroit grand pubas) for the vocal house track >my lifes rhythm<. pure dancefloor pleasure, in a tight style towards dj pierre/ phuture. >electric< on the other side of the platter makes people cheering once more when going on the spooky and minimal tip. two times dope

jazzmin deliver the goods yet again with this killer jazz dance 4-tracker from m swift! it opens with disco, a wicked energetic disco jazz nugget, that wouldn t seem out of place at the end of one of mr scruff or gilles peterson s dj sets! ôpanamaö is more laid back, sounding like soil & pimp when they re not bouncing off the walls! over on the flip there s two killer remixes , 4hero s marc mac underpins the live instrumentation on caf? bahia with a tight jazz break. moon at noon remixed by french beatmaker fulgeance delivers a rough wonky jazz hop vibe, keeping the jazzness of the original and adding a heavy banging beat. m-swift presents 24 carat æs forthcoming album will be released soon on jazzmin records:

a little piece of sampledelia from maxmillion dunbar (future times, food for animals) and ari g (manhunter). you know when you scoop a record at some flea because the art looks tight, but it turns out that the shit is wack except for some little beautiful chunk? yea you do. we rescued the good parts from many terrible records that otherwise just would ve collected bad vibes on our floors. dudes trying to bring back something like early daniel wang but mix it with heavy boogie visions (swimmers groove) and all these psuedo-african slow cuts from the 90s that we keep finding (o yea). lifeguards for the vibe.

brakes is comprised of members of british sea power, electric soft parade, restlesslist, pipettes and tenderfoot. the band have toured with belle and sebastian, the killers, buck 65, and editors, as well as headlining many tours of their own. touchdown was recorded at the legendary glasgow studio chem 19 by the delgados paul savage (mogwai, arab strap, malcolm middleton) and mastered by the similarly legendary alan douches at west west side, ny. two singles are being released to coincide with the album ? colin murray has fervently supported the first, hey hey, on his radio show, and the songs iseetigers produced video featured as a drowned in sound exclusive before its universal release.

zombielicious is one of the best dance albums of the decade. when i first heard it i badly wanted to license it for turbo and we almost did. zombie was even into the idea, but the timing was bad, so we decided to put together a turbo-riffic remix pack instead. bad idea compared to getting every incredible moment of that album... but luckily the result is amazing.

epic’ is the word that springs to mind when you witness the power the latest bushwacka! tracks hold over the dancefloor. picked up by pete tong early on in its life ‘show of hands’ has already enjoyed numerous plays on radio 1and is the first up on the a side of this package. percussion excellence provides the backdrop before the cruelly unforgettable hook takes things to another dimension, nevermind level. licensed to numerous compilations and with the worlds elite djs caining it, this track is sure to be a big part of your summer clubbing experience. a classic. and after the end, comes ‘the beginning’. deep hypnotic stabs and whirling melodies, evoke images of the morning after the night before, heads down clubbing at its best. the icing on a very tasty musical cake.

this is what happens when rave and house are mixed together by inexcess and mr wenzel. these two young guys from berlin have already released on oliver koletzki s stil vor talent label and now they drop this incredible double a sided bomb which will be heard on many festivals this summer

planet rhythm kicks off another double pack project and this time the one and only rotterdam techno governor bas mooy steps up, presenting a big time essential double pack, which techno lovers worldwide can t won t and shall not miss! watch mr mooy team up with none other then ortin cam & jeroen liebregts and watch his tunes get the remix treatment by people like dj boss, a.paul, wavemother & exium! either way essential status has already been reached by the a1 track, called white pony . watch those hands rise towards the sky for this gruesome techno beast. just watch the drop, then watch the people.. it will speak for itself. dj boss takes bas s bloedneus to a whole new level. feel the eastern vibes slam your face with its pounding subs and smashing kicks! angstgegner gets a straight up a.paul rework, making it an even more terrifying track as it already was. dark alley warehouse sounds all the way! just when you thought.. wheres the bas?... it starts hitting you on the b2 with kadaver . the man himself on a solo mission with some heftyness ready to fill up any arsenal that needs upgrading.. record number 2 is no different.. by teaming up with partner in crime jeroen liebregts (aka 1/2 of radial) they deliver warm beats, injected with some warehouse funk and fueled by industrial gasoline. a daring mixture with grand proportions. wavemother takes on the 3rd remix in this series and boy, if you like some quality good ol techno, this is the one for you! who s your mommy??? the mooy is back again on the d1 with some more of that gooooood ol techno sound! feel the industrial vibe in this one. something this guy is a king in doing, maintaining and moulding like its nothing! hear the kofferkuli murder and you know we re right! last but not least exium steps up for the final remix treatment. the side may be called d2 but this could easely be the a1. trance sounds sliced and diced like only those amazing spanish people can pull off! the digital release features 3 extra bonustracks, remixes by a. paul, diabla diezco and oliver kucera.

the faint return in 2009 with remixes by some of their favorite artists. das glow re-imagines “mirror error” as only he can. members of the faint have been playing das glow in their dj sets since they first heard the music on institubes. djedjotronic has been one of the faint’s favorite boys noize artists, and the remix of “machine in the ghost” on this release shows djedjotronic in rare form, focusing on the spirituality of the lyrics. tensnake’s inclusion on this package came at the suggestion of boysnoize rec. label head alex ridha. the faint’s manager, joel mark, comments: ” when i heard these tensnake mixes, i left them on repeat for hours. battle hymn for children has always been one of our favorite songs on fasciinatiion, but tensnake was able to take it to brand new areas that we never would have imagined. i could listen to a 30 minute version of this remix. ” nice

abusing our soft side for dub edgar 9000 gave us these compelling tracks.>play me minus three (patience vs. epiphany mix)< û what starts like a nicely arranged minimal tune bubbles and billows after a short pause up to a big ride on the acid-dub-ghost-train. at the latest when the decently deployed and gated french horn pad sets in on the second half you are completely lost. not for quick peep û but beware: danger of addiction of endless playing is definitely given.meanwhile the title >hook & bait< of the b-side rather reads like the basic principle of fishing. it really sounds like the classic principle of ambient à well almost, since in this case this ambient track is drifting along itself, underlined with a straight driving and floating rhythm fed by an earthly bassline.petri heil! (as we say in krauts-country)

like his dj status, as a producer, jesse rose is a guarantee. world renowned for the sound he created with long term mentor and dubsided label boss dave switch taylor, jesse is now the guy you turn to when you want a dancefloor remix, lending his services to the likes of hot chip, simian mobile disco, underworld and literally tonnes more.

stevie kotey & max essa first salon de l herbe ep was released via electric minds in may 2008 providing a twisted journey of dub, disco and electronica and given the thumbs up world-wide by todays elite producers & djs . the standard continues with the 2nd ep, which sticks to the same theme in providing three deep and underground cuts. the live drums, guitars and slick arrangement provide a musical journey that sounds immense when piped through any decent club system. >1986< will provide a great vibe for any club while >1978 it felt great< & >guitars< balearic feel will be perfect for this summer. all in all three amazing tracks

this is the tune for getting spiced on the dancefloor! no more boring klicks and klacks, time for energy again, that s what alex must have felt when treating his gear in the studio while processing these two outstanding tracks. really remarkable techno again from alex bau, just as we are used to it and know from him for quite some time now. the tracks appear in a moderate design of sounds, avoiding to harsh and hard action, but the fierce leadsoud of wasabi tune vol 1 will surely make everybody moving, just as the usual suspects playing it already: stephan bodzin, liebing, technasia, perc, gary beck, florian meindl, mihalis safras, mr. beyer and many more. very very big tune! must have for this summer!

brawther is a young frenchman from paris. this deephouse producer found his roots in the 90s house music vibe from new jersey, chicago, detroit, england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to oldschool or new school: i hate when people say that this sounds old school and that style sounds old or whatever... for me, a vibe is timeless... in summer 2007, brawther releases his first e.p. under the name izmo as a 12inch on french label 9ts records, and response was great, supported and played by legendary tony humphries... disguised as a tribute to smack productions, his where is eddie e.p. touched people from all different scenes, from deep house to uk garage?

excellent new label from milano ! big love from prins thomas, padded cell, ata, rub n tug, idjut boys,à !! mad on the moon debut release is a classic masterpiece of cosmische music which has been reworked for late night club action by two italian stars of the nu-disco scene (we leave the track spotting to all the collectors and krautgeeks): the love supreme, their version is direct to the dancefloor, but with a slow paced electro rythm and a classic smooth feelingà when the moog solo kicks in you will be sent to space with themà simone fedi, the man who lately sold out on dc recordings, eskimo, and smash hit music has worked a space funk track loaded with analog synth sequencing coup

10inch !!!! this is something special. 10 years after its very limited release (simply due to a low budget and limited sales expectations, not to try and make the record scarce), norm talleys the journey is picked up by a a few hip berlin djs, and a fire starts with the record being offered on ebay for over €100.00, because nobody can find a copy. even norm had to borrow a copy when he went to dj in berlin and the berlin party crowd had already asked him to confirm if he was bringing the record..no joke. so here is that tune, the journey, now re-mastered by stefan betke and cut by andreas@schnittstelle, and sounding very nice. on the flip is the unreleased in yo soul, chosen by third ear to complement the journey and complete a full on in your face piece of norm talley groove. and to round it off, its on a 10. cool and compact. just like norm, who is known in the dj circles of detroit as a secret weapon.. need your party fixing?... call norm talley. serge at clone kindly added a few words... nice re-issue of an obscure dj favorite produced by norm talley and previously released on the nouveau riche label from detroit. here you have two tracks that turn out to be great dj tracks when played out loud. the journey somehow got lost in obscurity. but luckily someone was clever enough to get it back out again, together with the previously unreleased in yo soul, and here they are... 10 inches of pleasure! pure detroit house music as we like it

pressed on a limited amount of copies, >day two< is the second release from these days records. featuring tracks from argy & the martinez brothers and dj duke, this ep is a tribute to the new york disco movement of the 70s and 80s. this bold and soulful package rounds up with a trademark dubbed out remix from the widely respected beat pharmacy. when placed together the records of the trilogy series will complete a puzzle revealing a connective artwork across the three sleeves

facs & dylans label biotic was killing it a few years ago with their own personal take on dnb, after a four year break the label returns with a sure fire smasher. on the a facs >ghost< comes with old skool style beats, orchestral stabs and punishing bass while on the aa fon gives us a slab of dark and menacing riffs and power bass, both tracks will shake the system when playing, power tunes for the dance.

after 9 successful years and 36 releases on their label >festplatten<, the teichmann brothers are already unleashing their third release, transistor vamp, on their new artist label teichtracks. true to the motto of the tt-series this offspring of analogue machinery is also designated for the dancefloor. the title track is a 12 minute trip, an unstoppable modulating organism from the deepest depths that subtly and powerfully creeps forth. you smell the greasy oil of detroit, you inhale the dusty air of berlin and when you open your eyes, the next day has already begunà here, the past is just as present as the present. deja-vu? or did transistor vamp already infect you during one of the brothers many live sets? those who turn the record over will find, alongside a condensed 7 minute edit of the title track, another independent micro organism. micro is a game of rhythm and bass, reduced to the very essence of groove. a poker face of a track whose accumulative tension spans 6 minutes. like a balloon filled to bursting it knows how to stretch its limits and, without badding an eyelid, it waits for the explosion. minimal? of course! but here you can still hear the groan of the mixer and effects!

san soda only needed one very limited ep and one >full< release to get attention from all over the place. deep house music that is both rooted in the past and firmly aimed towards the future. for this fourth release on we play house recordings san gives us three more killer tracks from his vaults. the a-side brings us >doorsnee<, a track that already had people requesting a release when it was but in its infant days on his myspace. describing it is quite the task, because it kinda leaves the 4/4 path and still stays on it, it kinda floats but it still gets you screaming on the dance floor.

when robots start to feel and dubby disco music is taking place, when h. r. giger meets g. moroder, it s time to present heib s attempt of >i feel love< to you. dry and smooth, passionate, warm and deep. >sound conspiracy< on the b-side starts as a simple acid track, but grows and rises to become everything else than minimal. bleeps, pads and effects pass the ether to hit your body system. forcing. 2 pieces of music without half-life. make your choice !

after recently releasing astonishing records on vakant & kalk pets, dewalta is hitting now even more dynamic and powerful the springtime floors. back on his motherlabel with great & unusual music and we dare to say that it is our favorite release of him so farà >saluki< starts straight with a crafty bass driven smooth rocket and build its self up alongside a guiding piano loop to reach very atmospheric frictions. soft choir singing here and there, various dub sounds brushing in the space, bringing all sound aficionados into a beautiful ride. dewaltas crispy rhythms are eventually fading out into melancholic and moving detroitish strings, to complete this unique piece of music. >shagya< on the flipside is a self-developing carnevalesque odyssey. its such a profound & delicious kickdrum, tightened with an extraordinary bass presence, its simply irresistible not to groove happily on that one. all is enriched with polyphonic balafon rhythms and hilarious african rooted chants - this is the energetic tool for those special intimate moments. a perfect track when lust and familiarity is present within the crowd and we consider time as officially end.

iggor cavalera is recognized throughout the world as a master drummer and former member of none other than brazilian heavy-metal band sepultura. however, he is as much familiar with turntables and mpcs and he is with a drum kit, taking his credo of hard beat beat and applying it to other projects. as mixhell, he and his wife, laima leyton, combine dancefloor and hard rock sensibilities for dj sets and their productions (just check their great remix for clp, previously on boysnoize records, which is a mix of brasilian baily and rave) for this release bnr bring back young star brodinski, who did his first remix ever for d.i.m. back in 2007 on bnr. he has made a name out there with great productions (turbo, mental groove) and remixes (radioclit, ed banger, bonde du role), supported by a wide range of djs like sven väth, laurent garnier, erol alkan and the ed bangers - to name a few. he has touched mixhells song “highly explicit” and made it to the perfect spring house hymne. he took the balearic elements of the original combined with a classic house arrangement and when it comes to the massiv break the track reveals a clear message: this is a hit. a must for every house or techno dj in the upcoming spring and summer season

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

the next animasola is done by the owner viperxxl who battled with sepromatiq for an outstanding ep. the a side comes with an hardtechno tool with pounding basslines and some synth work in the breaks. viperxxl did the original and sepromatiq remixed it to perfection. the b side comes with an epic track done by sepromatiq. you will find everything for the dancefloor to burn, banging beats mixed with a violin melody. viperxxl remixed the track with a long break pitched to 120bpm - when it goes back up you can be sure everyone is dancing

cynosure flag ship artist and label navigator mike shannon reaches into his archives and selects the much-anticipated “the box ep.” “the box is open” was always a highlight of many of mr.shannon’s dj sessions and live acts. this cut delivers nostalgic, old school of detroit, soulful, techno jack. a ton to digest there but there really is no other way to sum it up. adam marshall graces the ep with a stormer of a remix. taking things a step further, adam really explores a different use of the chords given to you in the original. a smooth kicking set of drums and ever elevating sequences of synth keep you on your toes never really knowing exactly when things will drop. definitely a production trait that adam is best known for and it never fails on the floor. howie mangel

giorgio s mixture of house, disco and techno sees its result in these 3 tracks which are fuelled with a lot of euphoria and don t hesitate to make brave/courageous changes when crossing over from one genre to the other

on side a: markus homm, mihai popoviciu and jay bliss. three sophisticated artists with releases on highgrade, imigrant and foundation records. this magical trio created this funky, deep house track for us, which brims over with groove and energy. on side b we are ver happy to welcome a newcomer, who is going to be listened to a lot soon. felx feygin grew up in brooklyn new york, and still lives there. about himself he says: äone day i fell in love with jazz, then we got married and had little deep house babies.ô when you listen to this track, you will know what he means! and if that was not already enough, there is a fantastic ôdop -remix. they are responsile for the fresh sound made in france, and brought us a lot of joy with there releases on circus company. and because this trio is something special, the boy sang some lines of the text for this remix themselfes. the outcome is genuine and we are very happy

henry l is the new moniker of cologne based producer/dj thats already known to the drum & bass world as henree (with releases on established labels like soul:r, cia deepkut and soundtrax just to name a few). even though hes still busy in that genre (unless others) it was about time to contribute something to a genre he always felt and took inspiration from. the other day at the basement reminds on an early mood ii swing vibe, pitched down to the right tempo. marcus worgull stripped down >the other day at the basement< a little, focussed on dubby stabs and added some wonderful harmonies to this hypnotic tune. when the soulful piano comes in, theres no question that this marcus worgull dub is one of his best remixworks to date. >wake up< is a sexy 109 bpm monster and as funky as house should be. if you need one word to describe this dope jewel it might be bouncing!<. just awesome dope shit, soulful, slow and moving

deepgroove aka grayson shipley & lee pattison from bristol have crafted their skills at venues like bristols seminal lakota, emerging with a sound that incorporates a hefty measure of eclecticism within a framework of deep and twisted tribal grooves. never fearing to tread a different path when it comes to firing a crowd, their performances marry a healthy degree of contempt for convention, to an obvious reverence for the original precepts of house music. using the 4-deck format, not as a tool for ostentatious displays of mixing prowess, but as a template for experimentation, deepgroove throw everything at the crowd, embarking on sonic voyages that range from the sultry to the surreal, with the funk never being too far from the surface. coming from a strong musical background growing up around jazz musicians in west london, jamie anderson also had a love for electronic music and the art of mixing records which has been with him ever since the early electro and hip hop days

this release offers 3 more tracks of quality techno! this time on the original mix angelo pomposo and tad g. dish out a track inspired by the murena, a fish infamous for its lethal venom. la murena starts in a deceivingly quite fashion, when, a couple of minutes into the track, the subtle background sounds take over with a mighty sting. by now more percussions add to the relentless groove. at the end just when you think it is calming down, a dark pad appears from nowhere bringing you in to the closing beats. all in all a track for every dj in search of good quality and effective dance floor productions. flavio folco and stewart walker take in charge of remixes! flavio folco s one is a deeper excursion into the dark side of tech-house, able to satisfy demanding customers with a good blend of dance floor oriented music. stewart walker s remix completes in great style the proceedings. while leaving behind his softer side he retains his own unmistakeable imprint with an excellent job, very much in tune with freshfood style! have fun!

repress: debut solo album from karin dreijer andersson (singer of the knife).

incl district one rmx!! marcus meinhardt is ready to rumble coming up with his new single in the ring a, after buenaz nochez, jerry lee and pacey lynn. the woman who just announced the uy 22 left the stage and with fast, accurate combinations marcus is in the in fight without clutching and persistence. on his conditional high, hes proceeding with his successful series and lands a few, perfectly placed, deep hits in the base area and still stays agile when it comes to headwork. he finally had the crowd on his side after he finished the fight early with the lucky punch. equal scenes on the other side in the ring b, where bart skils and anton pieete step up with a humbler beatfrequency. here, the dutch are able to build up an immense amount of pressure into their hook and into their right and… another lucky punch knocks down the enemy: k.o.

underground classic trax is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs/limited edition/color vynil no promos. for this 2nd release, we bring you some of the rarest 12 inches around. a side comes up with the amazing pfantasy club a.k.a dj pierre with never give up (circa 1988!), an amazing acid track (one of the first we guess), originally released on dancemania but we brought you the never released no vocals acid mix & obviously, it still sounds fresh & amazing today, pre techno/pre rave & whatever. essential! on a2 & b, we have one of the original house master creator (2nd wave), johnny fiasco with darkness & here i cum (unreleased extended mix) from 1995 when techno was still frightening & underground, real raw ghetto cuts that are still played on heavy rotation by real djs, they use it as secret weapons, nobody knows them really, but now you can grab it.

talking about the dawn, who know is better than lexy and nobody is more gifted to transport this feeling into a track. new day dawning a subtile flowing track, perfectly suited to welcome the next morning, again and again and again..the crazy, weird and nuts duck is circleing on the river of minimal straight forward sound, disguised as the psychoduck. watch out for the upcoming remix package of new day dawning, its gonna be huge. lets speak a little bit more about the artist. since lexy moved to berlin 1997 he was getting more and more popular as a dj. today lexy is dj, producer (lexy & k-paul), faschion addicted and a graphical wizard. what he likes best: rock the crowd as you will probably notice when you listen to this tremendous record

in todays digitally obsessed world it is a cause for celebration when a record label reaches its 10th vinyl release. a year old, electric minds reaches this mile stone and in doing so presents one of its most exciting releases to date.

pissinboy was originally italian artist andrea pirovanos solo project, it became a duet when graham mushnik joined him a year ago. based in london, the band presents here four 3 chord harmonious scruntch pop songs they recorded in their basement. while the ep kicks off with a punchy minimal drum guitar track, always find you, it ends in a mellow mood of trumpet and choir. pirovanos songwriting is simple and strong, and mushnik is unstoppable.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

when the drum calls is delivered two ways. the extended mix taunts you with piano stabs and vocal chants riding over a conga led groove. on the flip ron strips it down, takes out the main bassline, and gives you room to layer while giving you a percussive workout..

during the past few years donna j. nova has established her name successfully in the german club scene not only because of being a beautiful eye-catcher wherever she appears but most of all because of being a passionate djane behind the decks! her career started in stuttgart when playing her first gigs alongside raul rincon but meanwhile she is booked for big events nationwide like the european mtv music awards in munich. as bigcitybeats resident she was co-responsible for compiling the media control charts breaking bigcitybeats vol. 9 and the upcoming vol. 10 compilations. her dj sets consisting of warm deep house, soulful vocal tracks and pumping electro tunes are always coined by her distinctive positive and uplifting trademark style. for her first own release donna teams up with her long time fellow partner sono soul a former breakdancer turned into club dj. with a lot of gigs in southern germany and austria he managed to build some underground buzz and alongside donna produced a remix for the upcoming matt myer single >versatile< which will be released soon

safe and sound comes our starting in the spring of 2009. when first flowers bloom and the asphalt smells sweet a bit like summer, then spring-time is just around the corner. the spring in electronic music is expecting the next vinyl by hammeschmidt & lentz. this lp is a high-quality creation of musical arts including inspirations of new expeditions through parts of the world in the recent past. three of these expedition reports are now available on a 12 vinyl. the main result of intensive research is: if the slogan yes, we dance! would be more present at more places in the world, it surely would be more pleasant in whole life. well, say yourself every day: yes, we dance!

a slab of latin-tinged breakbeat coolness from the surferest dude on the spanish underground scene. try not to move that behind when the man from zarautz starts doing his thing, we dare you! the b-side is a quite aptly titled tune which combines a cab callowayesque ditty with a tasty hip-hop beat, thus spreading the buen rollo as they say in spain. mr. scruff, anyone?

its time for danjel esperanzas sweet little label backdoor beauty which starts in the beginning of 09!!!... this label will just release music with much passion in lovely little things and backgrounds with interesting strange sounds, melodies, athmospheres and a special dubby touch... one way backdoor beauty is really easy, but when you listen carfully, your hear that backdoor beauty is a big secret which is very rich... sometimes you find a door in your life, what you dont see before, and sometimes behind these door, there is something beautyful! it will be very personal, a special part of danjel esperanzas life, feelings and all arround him, it will be the musically diary of danjel esperanza..

already the 4th release an the anticlub label when underground lives on. incl remix by the economist

when a producer of the calibre of pete heller, with an intricate knowledge and understanding of the history of house music, started experimenting with an old roland 303 in the studio over a dub of a track hed been working on, there was only ever going to one result – something very special indeed! so taking a few days off from studying for his masters degree in digital media, pete heller crafted another stunning timeless club track. when john digweed heard the resulting sabotage he swiftly signed it to his bedrock label and agreed with pete that the track should be remixed by the mighty tom stephan and his london based iranian sidekick kamisshake.

stunning electro 4-tracker by paul blackford, a name you can trust when it s about real electro.

smack my arsch could roughly be translated as smack my bottom what pervert might this be.., you think? well, all true hardtechno players surely know this crooked mastermind behing these two boots. this major player grabs the prodigy clan by the neck and has a nice long talk about the political incorrectness of smacking a so-called bitch up. when he s finished the uk ravers are told to drop their baggies for a solid bum spanking the ll not easily foget!